An Honest Look at the Finances of an Indie Author

Photo by Bart Heird.
Photo by Bart Heird.

One of the things I love about the writing community, and the indie author community in particular, is its transparency. Gone are the days when discussions about contracts and money were things you just did not do. I applaud authors who are forthright with what contracts say and how much they make. This transparency helps us all learn and be realistic about our prospects.

I have had books on sale for over a year and I completed my first tax return in which I had sales to report. Since today is officially tax day, I thought it would be beneficial to share what taxes look like, honestly, for newbie indie author.

This was not an easy post to write. I will admit that being this transparent is nerve-wracking, but I believe it is important.

Disclaimer: I did not become an author to make gobs of money. I became an author because I have stories to tell and I love writing. Yes, I want people to read my books and like them, but even if I never published another book, I would keep writing. It is part of who I am.

Another Disclaimer: I am in this writing books thing for the long haul. I have done my industry research and I know I will need more books in my backlist before I start making any meaningful money. I define “meaningful money” as my books pay for themselves and that book reading habit I have.

Here are the numbers:

First, I tracked how much production cost for each book I have produced. This only includes my outside costs. It does not include my own labor cost for things like formatting.

book cost totals

 

 

 

Clarifications:
Content Edits include developmental edits and line edits.
Copy Edits are the last round of edits and include copy editing only.
Covers also includes all the Twitter and Facebook banners and other graphics for each book.

These numbers do not include an entire hosts of other expenses which includes, but is not limited to the costs of: ISBNs (I used to be a librarian. I think these are expensive but important.), proof copies of the paperbacks, software I use to compile the ebooks, traveling to a writers conference, traveling for research, copies of the print books I order to do giveaways, other giveaway items, envelopes for mailing, postage, marketing, writing classes, books on writing, domain costs, web server costs, professional organization dues, or the sheer amount of caffeine I consume in the form of tea and coffee per year.

If you total up the production costs (not including anything from the paragraph above) of putting out three books, the total is a whopping $3,965, averaging $1,321.67 per book.

There are cheaper ways to make books. You can forgo hiring a professional editor. You can hire a cheaper editor. You can buy stock covers or make your own. You can rely on readers or beta readers to do your copy editing.

You can. You can do all those things, but I do not. I want to put out the best possible book I can write. That means, I contract out the best people I can find and pay them decent money for the very hard work they do for my books. Some authors pay more than I do. Some pay less. The best thing about being an indie is I choose, and this is the path I have chosen. Your path may differ and that is okay.

Now for the hard truth. My tax returns included sales for the first two books which combined cost me $2,630.50 to produce. The third book, Letters in the Snow, did not go on sale until early in 2016. I included it here for comparison purposes.

With two books on sale, I made a whopping $448 last year.*

I did not forget any digits. That is $448 before taxes.

This is the hard truth of self-publishing, but I have friends who have gone the traditional route and their finances do not look that much better than mine.

What it means:

I am not going to lie. The numbers are disheartening, but I know they can get better. They will, eventually.

I still have a ton of work to do. I have mountains of words to write. If I want to make more money, I have to write more books. Good books, maybe even great ones. Books people want to keep reading at any rate. The ones out already get fabulous reviews, so I know I have the start of an audience and that is an amazing thing all by itself.

If you are new to publishing or thinking of jumping in, it is absolutely worth it. I did not write this post to scare you. I did it so you do not work under the belief that writing, packaging, and marketing books is an easy wave your wand thing to do. Mrs. Weasley is not going to do all that work for you, my dear. It is work, rewarding, but work.

For most of us, it also takes time. This is not my full-time job. It is another job I do, in addition to many other things that require my attention. I wish I did hide in a little hut all day and write, but that is not reality. I am learning to be content with the time I am have and be wise in my use of it.

My best advice? Do your homework and make an informed choice. Even more than that, find a circle of cheerleaders who will jump down the rabbit hole with you.

The even better advice? Keep writing, my friends.

*Updated: That is gross, not net. I lost money in the long run.