Mythology Mondays: Satyr

Welcome back to Mythology Mondays, where I highlight a different Greek myth or an aspect of mythology that has influenced the Turning Creek series.

Honestly, when I set out to write this, even though I knew it was not accurate, this is what my mind thinks a satyr looks like:

Mr. Tumnus from The Lion, the Witch, and the Wardrobe.
Mr. Tumnus from The Lion, the Witch, and the Wardrobe.

Or perhaps like this:

Dancing fauns from Fantasia.
Dancing fauns from Fantasia.

What I tend to think of as satyrs are actually fauns. A much better example of a satyr would be this:

A saytr from the land of Narnia.
A saytr from the land of Narnia.

In true Greek mythology, satyrs were between a faun and the Narnia satyr above. In Greek mythology, satyrs were closely tied with Dionysus though they were also known to cavort with and serve Gaia, Rheia, Hermes, and Hephaestus. They were most often the companions of Dionysus, drinking and playing flutes or tambourines. The flute was their preferred instrument.

A Greek vase depicting a satyr with Dionysus.
A Greek vase depicting a satyr with Dionysus.

Satyrs had the head of a man, but had pug noses, donkey ears, donkey or horse hind legs, and a horse tail. Though their body was mostly hairless, they were almost always depicted with long dark hair and beards. If they wore clothes, they were made from animal skins with the fur still intact and wore laurels of vines or ivy on their brow. They were considered to be symbols of nature, life, and the harvest, and as such were often shown with large, erect members. *cough* If you do a Google image search for satyr quite a few interesting things come up. I would advise you not trying that one at work.

Satyrs often consorted (sexually) with the nymphs, maenads, and other bacchanals. By some accounts, they were adapt at every kind of sensual pleasure. Their main purpose seems to be to follow Dionysus around, drink, and pursue females of all kinds.

Their parentage is disputed. The most widely held belief is that the satyrs were the sons of Hermes and Iphthima or that they were descended from the Naiads. They were also claimed by Silen. Strabo wrote that they were sons of the five daughters of Hecataeus and the daughter of Phoroneus.

In Turning Creek, satyrs make an appearance at the end of Lightning in the Dark as not very welcome additions to a gathering.

Mythology Mondays: Harpies

Welcome to the first post in a new series: Mythology Mondays.

The world of Turning Creek is populated with Remnants, descendants of the Greek myths, who have spent the years since the Fall of Olympus blending into mortal society and seeking a life of peace. When I started writing this series, I had some vague ideas about Greek myths, but getting to know the harpies has meant getting to know a ton of other myths as well.

Every Monday, I will highlight a different Greek myth that has woven its way into my series. If you pay close attention to the details, you will see where some of the elements and history of the Turning Creek series originated.

Today, I want to talk about the monsters that started it all: the harpies.

One of the most famous descriptions comes from Dante’s Inferno, which most of us had to read in school and some of us actually enjoyed.

Here the repellent harpies make their nests,
Who drove the Trojans from the Strophades
With dire announcements of the coming woe.
They have broad wings, with razor sharp talons and a human neck and face,
Clawed feet and swollen, feathered bellies; they caw
Their lamentations in the eerie trees

 

The English word harpy comes from the Latin word harpeia and the Greek word harpayia which means “that which snatches” or “swift robbers.” They are famous for many things, including snatching the daughters of Pandareus and delivering them to the Furies and for snatching food from the table of blind Phineus. The harpies were said to be Zeus’s agents of punishment who would torture people on their way to Tartarus and steal things at his command. In some tales, they are called the “hounds of Zeus.”

The number and descriptions of the harpies varies depending on the author of the myth. The number of harpies range from one to three and they are called by a variety of names with different spellings, again, depending on the author. In the earlier myths, the harpies are nothing but the personified destructive power of storm winds. Later they are winged, fair-haired women. Their appearance continued to evolve into that of the foul, bird-like creatures we think of today. They were always seen as violent, destructive, and cruel.

There are four names most often mentioned in relation to the harpies: Aello (storm swift), Celaeno (the dark one) who is sometimes referred to as Podarge (fleet foot), and Ocypete (swift wing).

They lived on the islands of Strophades, also called the Islands of Turning. It was on these islands that they tortured Phineas until the Argonauts came to his rescue. Before Boreades could kill them, the goddess Iris, winged rainbow messenger of the gods and sister to the harpies, interceded on their behalf. At her request, the harpies were spared, but confined to the islands.

The horses of Achilles, Xanthus and Balius, were the result of a union between Celaeno/Podarge and her lover, Zephyron, the West Wind. Zephyron was married to Iris, her sister. Scandalous!

I chose the harpies as my main characters because I wanted to redeem them. I wanted to know what would happen if a violent creature was forced to live in the world with people and how they would reconcile their own nature with that of the world around them.

Come back next Monday when we talk about Iris, messenger of the gods and defender of the harpies.

Interested in the Turning Creek series? Lightning in the Dark comes out December 2nd. Available from Amazon, B&N, Google, Kobo, and iBooks. Sign up for my newsletter and never miss a new release.